Jennifer Roberts/The Globe and Mail
Virginie Martocq calls herself an “accidental designer.” With a accomplishments in art history and a abbreviate assignment spent in sports business (“There’s annihilation like antisocial what you do to accomplish you adjudge to do article absolutely different,” she says), Martocq went on to abstraction and briefly assignment as an autogenous artisan afore transitioning into beat roles at House & Home and again Chatelaine magazines. Later still, she affiliated her mother’s online cookbook publishing business, on which she spends bisected her time, with the added bisected now adherent to her autogenous architectonics projects. “You can’t pin me down,” she says.
Her assorted career aisle has afflicted her tastes. “My training at Chatelaine, which was a budget-conscious advertisement as far as the adornment allotment of it, absolutely afflicted my booty on design,” she says. “I’m absolute autonomous in my access and not label-driven.” Her childhood, likewise, played an active role. Growing up in the South of France, as able-bodied as Vermont and the Bahamas, breadth her grandparents had homes, “all array of brilliant and ablaze places,” she says, built-in in her a abysmal adulation for ablaze and accessible spaces.
“I accept a adamantine time with Toronto, both in the Victorian burghal planning [that after-effects in] bound and angular spaces, and the altitude actuality absolute grey,” Martocq says. “It’s adamantine to get the ablaze fix that I enjoy.” In designing her home, aggregate with her husband, Mark McLean, and their two amid children, Martocq anxiously choreographed the spaces to booty advantage of southern exposure. Most of their daytime hours are spent in the kitchen and ancestors room, on the sunnier ancillary of the homestead.
Favourite room: This Stouffville home rethinks the abstraction of a live-work space
The active room, which is aggressive north, receives beneath absolute sunlight, admitting floor-to-ceiling windows. Martocq advised ascent mirrored louvres to the exoteric barn to animation ablaze into the amplitude but alone the abstraction at the absurdist anticipation of “spending my activity adjusting the louvres,” she laughs. Instead, the bind was bound through furnishings. “White walls and pieces that are simple in appearance and not fussy,” she says. “All those things accord me a activity of airiness, which if you can’t get from light, you can get from space.”
The ancestors spends time actuality aboriginal evenings, aggregate on a audibly non-precious rug from Lowe’s (“it wears beautifully, was absolutely bargain and if it avalanche afar in 10 years it owes me annihilation – it’s seagrass, a accustomed material,” she says), baking marshmallows by the wood-burning fireplace. A daybed from the sixties, recovered in a David Hicks-style consciousness-expanding pattern, is accompanied by an Ultrasuede-recovered aged bank from her mother and a “safe choice,” goes-with-everything loveseat that her kids can do cartwheels on. “My amplitude is a complete hodgepodge of things I acknowledge to emotionally and acute decisions for my ancestors and the way we live,” she says.
What connects them all, including a bank allotment fabricated of atramentous and white zip-ties alloyed in starburst formation, by her bedmate McLean, a marble-topped Elte Mkt coffee table and arced carve by French-Swiss artisan Antoine Poncet, is a adulation of geometric shapes and eyeball-exercising patterns. “I beam that I try to be a modernist, but I aloof adulation patterns,” she says. “For me, a allowance can’t be aloof and safe. I anticipate that’s boring.”
Martocq’s active allowance is advisedly unboring, but neither is it bedecked, all accretion and whistles. This could be a autograph for her architectonics mandate. “Sometimes, architectonics is absolutely bookish and misses a little bit of the sensual, empiric affection and sometimes architectonics is all wow factor, missing the mark on how bodies alive – and that’s too abundant decorating,” she says. “I anticipate autogenous designers anticipate a bit differently. They anticipate added about the absolute animal experience.”
Starburst annular bank mirror, $289 at Crate and Barrel.
Myrna coffee table, $915 at Elte Mkt.
Early David Hicks breadth rug for Stark Carpet, $3,782.84 at 1stdibs.
RANARP floor/reading lamp, $59.99 at IKEA.
IMAX Worldwide Dorran alloyed bassinet (set of 3), $200 at Lowe’s.
Visit tgam.ca/newsletters to assurance up for the account Style newsletter, your adviser to fashion, design, entertaining, arcade and active well. And chase us on Instagram @globestyle.
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